Yesterday Sang and I went with a vanful of college alumni to the dump! It was a tour kindly provided by a chemistry alumn who’s worked for Metro for 28 years. First was the solid waste transfer station, where commercial haulers and the general public bring trash. Sang and I had been there in the 90s, when we bought our house and discarded its very gross old carpets.
They sort out what they can to reuse or recycle. (Curbside recycling is collected and processed elsewhere.) This is the woodpile. Painted and treated wood is ineligible, so it’s mostly pallets and tree limbs.
Then we went to the adjoining Hazardous Waste facility. Our host worked here until recently; we saw the little lab where he’d worked his first job, testing unlabeled stuff people had brought in by dipping test papers into it and maybe adding something and setting them on fire, until it was ID’d enough that they knew what to do with it. Outside was a grove of rescued (rather than hazardous) gnomes and statues.
The last stop was the MetroPaint facility where leftover latex paint is remixed into standard colors and resold, a process paid for by the industry. The machinery wasn’t running on a Saturday, but an employee obligingly started up a giant mixer so we could go up a ladder one by one and see an enormous vat of dark brown paint being stirred. All the equipment had lots of paint on it.
Many people have worked for decades to make a five- to fifteen-percent difference in our overwhelming local (yet globalized) waste stream. It’s not nothing, but in Star Wars terms it’s a very small resistance force in the context of the empire.
I think everyone in the van would agree that change will happen, if it does, at the policy level. Yet conversation on the way back kept slipping into individual purity, like where is the one place in one suburb that you can drop off your #6 plastic for recycling, or how someone managed to find a school that wanted his hundreds of yogurt cartons for a project, or how a startup is delivering certain brand-name products in reusable containers like milk was delivered in glass bottles in the old days. I passed around some leftover trick-or-treat candy wondering if it was a faux pas because of the wrappers, but that was ridiculous no one said anything.
Cool new sculpture outside the art building on the college campus. Have not found info on title or artist.
Next is iced coffee and strawberries on the porch. This is the sweet season in Portland.
A cozy hitch.
I thought stuff with dip was already a Canonical Man Food?
Funny how many things almost count, or sort of count, for my commute graffiti collection.
My morning walk commute sometimes takes me down Clinton Street, where at 19th Avenue there is a preschool and community garden before you get to the car-traffic diverters at 17th.
Twice a guerrilla crosswalk has been installed, pleasing the preschool families, and twice the City has removed it. So this was here on Monday:
Seeing such a graceful solution– no liability for an unsanctioned crosswalk, yes painted reminder for drivers– made me feel hopeful all day.
Today I got to visit the source of my drinking water, Bull Run Lake.
I am pretty sure I’ve never seen a hopscotch grid numbered from the top. I kept trying to make sense of it after I had walked past, and ended up walking around the block to look again.
I have, however, seen a tiny hopscotch marked “for cats,” and I wonder if that’s what the smaller one is here. I can’t quite read the numbers.
Portland’s Biketown (because co-sponsored by Nike) bikes arrive tomorrow! The racks have been in place for a week or so– people happily started locking their regular bikes up at them, and then the city sent out some grumpy tweets and added the CAUTION tape.
This rack is just outside my office, so I’ll try a ride down by the river on my lunch break sometime soon. I admit, I don’t really understand the customer base for bikeshare. Commuters would want their own bikes, right? Some tourists will use them, in good weather, if they’re not afraid of sharing the road with cars downtown. Maybe close-in bar hopping after the bus stops running? I guess we’ll find out.
1. When we moved into our house 20 years ago, sanguinity and I ripped up the incredibly gross carpet in one room, and with friends’ help we resanded the softwood floor underneath. It was pretty worn, but we got one more sanding out of it. Sang convinced me to finish with old-school shellac, and it worked out fine. (No wet shoes or muddy pets allowed in that room.)
We mostly cleared the room last month to make space for workers restoring the window, so it seemed like a good opportunity for another couple of coats. The hardware store employees were incredulous that shellac could be a floor covering, and I had to be adamant to get them to order me a quart of it. (It was weird, they’re not usually like that.) Sang wielded the brush and had to go lie down and giggle afterwards because of the alcohol fumes. But look, pretty!
2. After Vass mentioned a game called Alphabear, I put it on my phone and tried it out. I may get hooked enough to have to delete it soon, although so far it’s strenuous enough that my brain’s tired of it after a round or two. It’s just as well I left my phone at home today.
3. This art car has been for sale down by the Reed campus for a couple of weeks.
Thing is, the front panel spells out in beads that it’s dedicated to the memory of someone. It would be a considerable and maybe odd responsibility to take over an art car memorial for someone you didn’t know.
We had an art car plan, never executed, for my old Camry– the paint on the hood was worn and scratched, and Sang suggsted we could paint on a knitting-stitch pattern, with cables or whatever, and then maybe put a big ball of yarn and needles on the roof. But in reality, I’m so averse to attracting attention that even a bumper sticker is pushing it. Also the reason I’ll probably never have a recumbent bike, unless someday they’re no longer conversation magnets.
4. Tomorrow evening I’m volunteering at the Portland World Naked Bike Ride. They’re taking off from the park nearest my house, and it seemed a shame not to go see such an iconic event, but I didn’t want to un-cobweb my bike or be a creepy rubbernecker. So I’ll help with the first pass of cleanup after the ride leaves. (Another crew comes through at 8 a.m. to get whatever we miss in the dark.)
5. 1970s rereading jag, including most of the Al books by Constance C. Greene. Books set in apartment buildings were strange and fascinating to me as a kid– friends living down the hall, taking the laundry to the basement, and people called “supers” who also lived in the basement? The Al books are such a comedy act in their dialogue and timing and repetition that I’m a little surprised that they felt like real novels to me then. I didn’t even notice for years that we never learn the narrator’s name. Now I’m on to Beat the Turtle Drum and it’s very weird to hear echoes of that same voice in Kate and Joss, but slower and more serious.
I missed my run to go to a meeting at work this morning, so when it was over I decided to walk over the Tilikum Bridge up to the Hawthorne branch of Powell’s, and home from there. Seven or so miles, same as my run would have been.
Sternwheeler on the left, then two yachty-cruisey boats, then DARPA’s prototype drone submarine-finder.
My first Futel phone. There was no dial tone, just a recorded menu that includes the Mayor’s office, the 211 social services and resource finder, a general repository for apologies, and other options. I chose the Willamette Valley Dream Survey and reported last night’s dream.
No one could look up when exactly it was built?
The dogwoods are starting! Azaleas, lilacs, and Japanese maples also starred. It was actually a lovely walk; more diverters have gone in to force cars to turn off Clinton, so it’s quiet and bike-dominated now. A version of Portland that I thoroughly enjoy.
Yesterday on the bus I started reading Sarah Schulman’s The Cosmopolitans, newly out from CUNY’s Feminst Press. It is a beautiful book! Just the right size, with black endpapers and that nice porous book paper. I can’t name the typeface, but it’s nearly identical to the one in my copy of Harriet the Spy (1964), and Cosmopolitans is set in 1958.
In short, every element is thoughtfully designed. I looked for a colophon or Note on the Type. There wasn’t one, but there was “A Note on Style” about the book’s connections to Balzac’s Cousin Bette (1846) and Baldwin’s Another Country (1962), neither of which I’ve read yet. The end reads:
I also try to evoke the era [of Cousin Bette] through slight allusion to the Britishized American English that dominated commonly read translations at the time. Whether the source was Flaubert or Dostoyevsky, these novels often sounded, in English, like they were being recited by Katherine Hepburn. And so, that tone, in a way, represents the period for American readers.
I am already in love with this book’s attention to detail. And I will be sad if a day comes when print books of this quality are too rare to check out from the public library and carry around on the bus.
I went and looked at the rest of Feminist Press’ catalog and picked out Louise Meriwether’s Daddy Was a Number Runner (2002, original 1970) to read next.
Speaking of matters typographical, I no longer believe that one space after periods is the only way. This article changed my mind.
In other news, the water is on in the Keller Fountain!
And zoe_1418 was in town for a conference, and took sanguinity and me to breakfast and autographed my copy of her coloring book, Mindful Mosaic. I highly recommend coloring in a book designed by a friend, as it feels cozy and collaborative.
The little birds are back to tapping on the bathroom window. Since they will no longer be nesting in the walls of the house and demonstrating how about-to-fall-apart everything is, it isn’t nearly as irritating as last year! My in-laws gave me a birdhouse and some nesting material to hang up, so I hope the birdies will move into that instead.